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Emmy-winning filmmaker Jon Alpert chronicles the fortunes of three Cuban families over the course of four tumultuous decades in the nation's history. Watch all you want. This multigenerational portrait of Cuba earned an Emmy nomination for Outstanding Historical Documentary. Videos Cuba and the Cameraman. Cuba and the Cameraman Trailer. More Details. Watch offline. Available to download.

This movie is Provocative, Investigative. English, Finnish. More Originals. Coming Soon. We Are: The Brooklyn Saints. A Brooklyn youth football program and its selfless coaches provide a safe haven for kids to compete and learn lessons that will take them far in life. A single mother turns to housekeeping to make ends meet as she battles poverty, homelessness and bureaucracy.

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He began visiting the island in as a documentarian, wanting to see for himself whether the revolution was working.

Through many visits, Alpert came to befriend Cubans as well as Fidel Castro himself. Alpert, 68, first went to Cuba as a young community activist. We decided we wanted to see for ourselves. This began a nearly five-decades long connection with the island. Because their equipment was so cumbersome, they wheeled it around Cuba in a baby carriage, a makeshift technique that proved fortuitous when Castro noticed them.

Although Alpert had been seeking access to Castro for several days, when the Cuban leader approached him, the filmmaker became tongue-tied. Besides Castro, Alpert follows three families through the ups and down of modern Cuban history.

They were the people I bumped into who became my friends, who I decided to follow. Even then, though, rural families lacked electricity and running water.

fidel and the cameraman

Alpert also chronicles dissatisfaction among Cubans, including the increasing number of people who want to leave. An encounter with a schoolgirl leads to a follow-up visit 16 years later, when she is happily ensconced in government housing with children of her own. Yet when Alpert looks her up again, on a subsequent visit, she is gone; living in Tampa, Florida, her relatives say.

Another time, Alpert sets out to find a former acquaintance, only to learn that he has been imprisoned for buying and selling goods in the black market.

Jon Alpert Gives A Rare Look At Fidel Castro \u0026 Cuba

Through the years, Alpert managed to get unique access to Castro. Alpert was the only American journalist on the plane that brought the Cuban leader to New York City for an address to the United Nations in Tami Alpert estimates that she has been to 50 or 60 countries with her father, who has reported from all over the world he even took her with him to Afghanistan.

Early reviews for "Cuba And The Cameraman" have been generally favorable. Alpert is aware that some people might not warm to the idea of his befriending a dictator who tolerated no political dissent, and who showed little regard for civil and human rights.

fidel and the cameraman

There are a lot of things about Cuba in the film that no other cameras have seen before, that tell a lot about the reality, some of it very unpleasant.

Alpert was one of the last Americans to see Castro alive, in a three-and-a-half hour visit that authorities did not allow him to record. Although he had been promised an on-camera interview with the ailing leader in Januaryby November Castro had passed away, marking the end of an era.

He is especially proud that the screening will be in a large theater and thus open to the public. Alpert is the recipient of sixteen national Emmy Awards and two Academy Award nominations. Alpert hopes that audiences respond positively to his latest film. These are things that we as New Yorkers deal with all the time, and by basically sharing my friends and their experiences, I thought it would be a good way to tell the story of Cuba.

Raul A.Just a year before his death, in U. President Franklyn D. Roosevelt addressed the American people and proposed the idea of a Second Bill of Rightsbecause he admitted that the first document, while politically well-thought out, had "proved inadequate to assure us equality in the pursuit of happiness. Welcome to the real American dream!

fidel and the cameraman

In the early s, then investigative journalist Jon Alpert felt the struggles of the U. A faraway land just next door, where unicorns like free healthcare and affordable first-class education were possible and people were guaranteed a roof over their heads.

Never before seen footage of the man behind the public figure blend easily with conversations Alpert captured with local farmers and their families. Jon Alpert: We were young, we were living in America in the Sixties and the Seventies, we had terrible healthcare, we had terrible housing….

Alpert: We still do. And gosh, something was happening over the horizon, they were doing things that we were only dreaming about in America. There was so much fire associated with the Cuban exiles saying it was terrible, and people who were going down there saying it was paradise on earth, we were curious and so we went.

We had to see for ourselves. Alpert: Nothing! They boat arrested us. In the film you see the actual sailboat we went down there with. Wanna go to Cuba? And we went along for the ride. Apparently they had told this guy, who had done this before, to never come back again. I spent three days basically driving the Cubans crazy. You push them, then you back off. Then you push them some more. I went fishing in this industrial pond, which they found quite amusing and got them interested about me.

Alpert: Yeah, there was an oil slick on that water this thick! When something is forbidden to us reporter, it gets us more excited. So I got all my buddies together and we challenged the Cuban diplomats in New York, we played them every Sunday in Central Park and they kicked our ass every single Sunday for two years.

Because they ended up liking me, and finally let us in. Alpert: I think what we captured during that dark era of the Nineties is something that no one has been able to record. I was really entranced by the idealism and the story of how the Revolution started on boats that were not much bigger than these boats that are driving us around Venice — a bunch of guys like us on that boat taking the country back, that was really exciting!

You can see exactly what happened. Maybe there is something there that could be applicable in our country. Instead at every turn, we did whatever we could to disrupt what was going on down there. So we never really got to see whether or not it would work. And when someone is punching you all the time, it changes your personality.Skip to Content. We're updating our reviews to better highlight authentic stories and accurate, diverse representations.

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'Cuba and the Cameraman': Too much cameraman and commentary

Documentary shows ordinary Cubans, follows them over the course of decades, shows the Cuban culture in a positive light. Cubans attempting to defect by entering the U. Embassy in Havana are shown getting pelted with rocks. A bloodied face shown up close during a riot. Parents need to know that Cuba and the Cameraman compiles raw footage from a filmmaker's several visits to Cuba beginning in It follows various Cubans -- including Fidel Castro -- throughout these years, and also shows what happened when the Soviet Union collapsed and Cuba was no longer receiving billions of dollars in subsidies from Moscow.

Unsurprisingly, there's a lot of cigar smoking. The film has shots of riots, including bloodied faces, and of rocks being hurled by Cubans at other Cubans attempting to defect by entering the U. Embassy in Havana. What eventually emerges is a fascinating glimpse of a culture and how it changed and adapted over the course of Cuba's communist government, and how many persevered.

Join now. Add your rating See all 1 parent review. Add your rating. The joy and excitement filmmaker Jon Alpert exudes upon rediscovering the friends he has made in Cuba over the years through their ups and downs is obvious and contagious. The farmers, vendors, and families he follows over the years from childhood to adulthood to old age display a kind of transcendent charm in their smiles and good humor, a good humor that only turns grim in the aftermath of the collapse of the Soviet Union and the end of the billions of dollars in subsidies that kept the Cuban economy running.

But the magic and wonder of Cuban culture and the Cuban people conveyed in the raw footage compiled from several visits spanning from to seem to happen in spite of Alpert, and there are times you wish he would simply get out of the way. The beginning of the movie, for instance, in which Alpert explains his use of the then-new video camera to muckrake in New York City, goes on for entirely too long. Families can talk about documentaries. How did the views of the filmmaker, and the views of Cubans themselves, change over time concerning Fidel Castro, communism, day-to-day life?

Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate. Streaming options powered by JustWatch. Common Sense Media, a nonprofit organization, earns a small affiliate fee from Amazon or iTunes when you use our links to make a purchase. Thank you for your support. Our ratings are based on child development best practices.Make social videos in an instant: use custom templates to tell the right story for your business.

We hope that you will agree that the highly personalized approach Cuba and the Cameraman takes in trying to help the audience understand the lives and challenges of the Cuban people, sails strongly on the spirit and the substance of Edward R.

Murrow's work. Ironically, Mr. Murrow was the first American reporter to try to break through Fidel Castro's revolutionary veneer. In a classic interview, Mr. Murrow doesn't actually get into Fidel's bedroom like we did, but Fidel does appear in his pajamas and reveals a side of his personality unseen before. It took us a lot longer than Mr. Murrow to capture this level of intimacy and trust from all our characters. But it distinguishes Cuba and the Cameraman from all previous examinations of Cuba, and emulates the spirit of Mr.

Murrow, making it worthy of your consideration. Thank you. Create Make social videos in an instant: use custom templates to tell the right story for your business. Screen Recorder Record and instantly share video messages from your browser. Live Streaming Broadcast your events with reliable, high-quality live streaming.

Enterprise Get your team aligned with all the tools you need on one secure, reliable video platform. Log in Join New video Upload. Create a video. Go live. Menu Search. More stuff. Please enable JavaScript to experience Vimeo in all of its glory. Murrow Awards.Imagine watching a proud country decay over decades and still mourning the man who helped make it happen.

Director Jon Alpert spent plus years shooting footage of Cuban families, landscapes and, most important, Fidel Castro. The late Cuban dictator looms large over the documentary in more ways than one. Alpert interviewed the communist strongman several times over the years. Their chats are personal, funny and almost always fawning. Castro quips while Cuba burns.

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Ordinary Cubans march to mourn his passing, but the time frame quickly jumps back to the early s. That was when Mr. Alpert first started visiting Cuba, camera in hand. Who is Jon Alpert? We learn about his political ideology from clips taken from his early activism. He used his bulky camera equipment to investigate sweatshops and other dubious labor practices. What emerges is a clumsy but often sweet portrait of several of the Cuban people, many of whom Mr.

Alpert revisits over decades. A trio of farming brothers make the biggest impact. They are simple, hardworking souls who share songs, a love of rum and a strong family bond with the director. Others are equally cheerful, rarely complaining about their lot in life or the government structure that made it possible.

The Cubans captured by Mr. Alpert are kind, open and able to make the best out of some horrifying situations. We see the latter bloom over time. Alpert says during a s visit. The nation struggled all the same, which the director partially blames on U. Blame Mr. Alpert is a constant presence in the film, which works when he is interacting with Cuban locals.

Alpert scored several interviews with the Cuban leader over the decades. Some resulted in revealing footage, as Castro lives up to his reputation for being both cagey and media-savvy. Alpert is a fan, above and beyond him handing Castro American-made beers as a gesture of good will. That stance might be forgivable early in the film. By the end, after he has personally witnessed the starvation and suffering that Cubans endured, it makes far less sense. And there is suffering.

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Bare store shelves. Food rationing. Workers waiting months, if not years, to complete simple construction projects. Homes without water.Cuba and the Cameraman is a American documentary film written, directed and co-produced by Jon Alpert. The film shows Cuba over a course of 45 years through the lens of Jon Alpert. Alpert started visiting Cuba in the 70's. After founding the Downtown Community Television Centerhe became increasingly interested in Cuban's policies. The film was edited from over 1, hours of footage, Alpert filmed since the first time he visited Cuba.

Whatever you think of Mr. Sheri Linden from the Los Angeles Times said about the film: "As a decades-long, ground-level portrait of the country, his vibrant film is unprecedented. From Wikipedia, the free encyclopedia. Cuba and the Cameraman Film Poster.

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fidel and the cameraman